Behringer S32 Physical Input and Output Connections

The S32 is the digital input and output unit in the amp room and contains most of the physical connections to mic inputs and feeds to amplifiers.

The suggested outputs for XLR 1 through 8 would need to be manually patched to amplifiers in order to make them work.

INPUTS connected to Port OUTPUTS connected to
Stage Right Snake 1 XLR 1 (Monitor 5)
Stage Right Snake 2 XLR 2 (Monitor 6)
Stage Right Snake 3 XLR 3 (Monitor 7)
Stage Right Snake 4 XLR 4 (Monitor 8)
Stage Right Snake 5 XLR 5 (Surround Left)
Stage Right Snake 6 XLR 6 (Surround Right)
Stage Right Snake 7 XLR 7 (Center Channel)
Stage Right Snake 8 XLR 8 (Balcony Delay Matrix Output)
Stage Right Snake 9 XLR 9 Monitor 1
Stage Right Snake 10 XLR 10 Monitor 2
Stage Right Snake 11 XLR 11 Monitor 3
Stage Right Snake 12 XLR 12 Monitor 4
Stage Left Snake 9 XLR 13 Distribution Amp for Front-Fills, Green Rooms, Bathrooms
Stage Left Snake 10 XLR 14 Subwoofer
Stage Left Snake 11 XLR 15 Main Left
Stage Left Snake 12 XLR 16 Main Right
Stage Left Snake 1 XLR 17
Stage Left Snake 2 XLR 18
Stage Left Snake 3 XLR 19
Stage Left Snake 4 XLR 20
Stage Left Snake 5 XLR 21
Stage Left Snake 6 XLR 22
Stage Left Snake 7 XLR 23
Stage Left Snake 8 XLR 24
Stage Center Snake 1 XLR 25
Stage Center Snake 2 XLR 26
Stage Center Snake 3 XLR 27
Stage Center Snake 4 XLR 28
Stage Center Snake 5 XLR 29
Stage Center Snake 6 XLR 30
Stage Center Snake 7 XLR 31
Stage Center Snake 8 XLR 32

Behringer X32 Physical Input and Output Connections

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Behringer S32 Physical Input and Output Connections

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Input Routing for Various Scenarios

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Output Routing for Various Scenarios

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How-To’s

In order to help various operators with using the equipment at MPAC, here's a series of How-To pages that should give you guidance on how to accomplish the specific task or fix the specific problem.

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Behringer X32 Digital Mixing Console

Beginning in March 2016, the theater will utilize a Behringer X32 digital mixing console for all audio reinforcement tasks. The system is flexible enough to handle the majority of what occurs in the theater and should provide a lasting base for the next few years. While I won't go into full details of how the...

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Wireless Microphones in the Theater

The main performance theater at MPAC has a set of eight Shure ULX-series wireless microphone sets with each receiver supporting either a handheld mic with an SM87 capsule or a bodypack that can connect to any mini-XLR source. All systems are, unfortunately, a bit dated, and are in the ULK-J1 frequency range. The initial configuration...

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