The S32 is the digital input and output unit in the amp room and contains most of the physical connections to mic inputs and feeds to amplifiers.
The suggested outputs for XLR 1 through 8 would need to be manually patched to amplifiers in order to make them work.
| INPUTS connected to | Port | OUTPUTS connected to |
|---|---|---|
| Stage Right Snake 1 | XLR 1 | (Monitor 5) |
| Stage Right Snake 2 | XLR 2 | (Monitor 6) |
| Stage Right Snake 3 | XLR 3 | (Monitor 7) |
| Stage Right Snake 4 | XLR 4 | (Monitor 8) |
| Stage Right Snake 5 | XLR 5 | (Surround Left) |
| Stage Right Snake 6 | XLR 6 | (Surround Right) |
| Stage Right Snake 7 | XLR 7 | (Center Channel) |
| Stage Right Snake 8 | XLR 8 | (Balcony Delay Matrix Output) |
| Stage Right Snake 9 | XLR 9 | Monitor 1 |
| Stage Right Snake 10 | XLR 10 | Monitor 2 |
| Stage Right Snake 11 | XLR 11 | Monitor 3 |
| Stage Right Snake 12 | XLR 12 | Monitor 4 |
| Stage Left Snake 9 | XLR 13 | Distribution Amp for Front-Fills, Green Rooms, Bathrooms |
| Stage Left Snake 10 | XLR 14 | Subwoofer |
| Stage Left Snake 11 | XLR 15 | Main Left |
| Stage Left Snake 12 | XLR 16 | Main Right |
| Stage Left Snake 1 | XLR 17 | |
| Stage Left Snake 2 | XLR 18 | |
| Stage Left Snake 3 | XLR 19 | |
| Stage Left Snake 4 | XLR 20 | |
| Stage Left Snake 5 | XLR 21 | |
| Stage Left Snake 6 | XLR 22 | |
| Stage Left Snake 7 | XLR 23 | |
| Stage Left Snake 8 | XLR 24 | |
| Stage Center Snake 1 | XLR 25 | |
| Stage Center Snake 2 | XLR 26 | |
| Stage Center Snake 3 | XLR 27 | |
| Stage Center Snake 4 | XLR 28 | |
| Stage Center Snake 5 | XLR 29 | |
| Stage Center Snake 6 | XLR 30 | |
| Stage Center Snake 7 | XLR 31 | |
| Stage Center Snake 8 | XLR 32 |
Behringer X32 Physical Input and Output Connections
Behringer S32 Physical Input and Output Connections
Input Routing for Various Scenarios
Output Routing for Various Scenarios
How-To’s
In order to help various operators with using the equipment at MPAC, here's a series of How-To pages that should give you guidance on how to accomplish the specific task or fix the specific problem.
Behringer X32 Digital Mixing Console
Beginning in March 2016, the theater will utilize a Behringer X32 digital mixing console for all audio reinforcement tasks. The system is flexible enough to handle the majority of what occurs in the theater and should provide a lasting base for the next few years. While I won't go into full details of how the...
Wireless Microphones in the Theater
The main performance theater at MPAC has a set of eight Shure ULX-series wireless microphone sets with each receiver supporting either a handheld mic with an SM87 capsule or a bodypack that can connect to any mini-XLR source. All systems are, unfortunately, a bit dated, and are in the ULK-J1 frequency range. The initial configuration...